Ella Langley has achieved a significant milestone on Billboard’s Hot Country Songs chart, dated May 9, by monopolizing the top three positions.

Her collaboration with Morgan Wallen, “I Can’t Love You Anymore,” debuted at No. 3, adding to her chart presence alongside “Choosin’ Texas” and “Be Her,” which held at Nos. 1 and 2, respectively.

“I Can’t Love You Anymore” garnered 16.7 million official U.S. streams, 10.8 million in radio audience, and 10,000 units sold during the April 24-30 tracking week, also making a record-setting debut within the Billboard Hot 100’s top 10.

This achievement makes Langley only the second woman to claim the chart’s entire top three, matching Beyoncé’s mark in 2024, which was powered by tracks from her album Cowboy Carter.

The top-three sweep is a rare occurrence, often driven by album releases, and for context, Morgan Wallen, the only other artist to achieve this feat, has done so 26 times, largely coinciding with his album cycles such as the 36-track One Thing at a Time and the 37-track I’m the Problem.

This comparison highlights the scale of those releases against Langley’s 18-track Dandelion and Beyoncé’s 27-song Cowboy Carter.

Langley’s success extends to the Top Country Albums chart, where her album Dandelion continued its impressive run, securing its third consecutive week at No. 1. In its third week,

Dandelion moved 112,000 equivalent album units, marking a third consecutive six-figure frame.

This positions Langley alongside Beyoncé and Taylor Swift as the only women with multiple 100,000-unit weeks since the metric’s inception in the mid-2010s.

Furthermore, she joins an even more exclusive group, becoming only the second woman with a country project to post three six-figure weeks, a feat previously achieved solely by Swift’s Red (Taylor’s Version) in 2021.

She now surpasses the two such weeks for Cowboy Carter and Swift’s 2023 set Speak Now (Taylor’s Version).

In related news, Stella Lefty has scored her first Hot Country Songs top 10 as her debut entry, “Boston,” ascended 14-10 in its fourth week on the chart.

The song garnered 10.1 million streams, 2 million in radio audience, and 1,000 units sold. Its rapid ascent is notable, as 31% of the 474 songs reaching this tier in the past decade have done so in four weeks or fewer.

“Boston” also marks the first top 10 on the chart for the recently launched Atlantic Outpost imprint.