Barbie Sequel in Jeopardy: Salary Disputes Threaten Production with Ryan Gosling and Margot Robbie

Warner Bros. is racing against a December deadline to secure a "Barbie" sequel as negotiations with stars Margot Robbie and Ryan Gosling, and director Greta Gerwig, have stalled over rich profit-participation deals. If no agreement is reached, the IP rights revert to Mattel, potentially leading to a complete creative overhaul. Despite the impasse, all parties are reportedly open to future installments if a new compelling idea emerges.
Precious Eseaye
Precious EseayeMovies2 hours ago4 minute read
Barbie Sequel in Jeopardy: Salary Disputes Threaten Production with Ryan Gosling and Margot Robbie

The monumental success of the "Barbie" movie, which garnered over $1.4 billion at the global box office and secured eight Academy Award nominations, naturally spurred Warner Bros. to pursue a sequel. However, the studio is now facing a pressing deadline as negotiations to bring Margot Robbie, Ryan Gosling, and director Greta Gerwig back for a second installment have stalled, with the intellectual property rights set to revert to Mattel in December.

Central to the impasse are the financial demands of the lead stars. A recent report by The New York Times indicates that Warner Bros. Discovery CEO David Zaslav has expressed reluctance regarding lucrative deals with profit participation for Robbie and Gosling. Ryan Gosling, who earned an Oscar nomination for his portrayal of Ken, is reportedly seeking a $20 million pay raise for his return. A Warner Bros. spokesperson clarified that no agreed-upon framework was ever approved and subsequently withdrawn. Notably, Warner Bros. made a rare move by not including sequel commitments in the original contracts for the "Barbie" stars, a strategy employed to secure Greta Gerwig as director, given the film's numerous false starts before her feminist vision took hold.

The creative team, including Gerwig and her husband, co-writer Noah Baumbach, reportedly has a concept for a new movie. However, they are withholding this idea from the studio until talent deals are finalized. The December deadline looms large for Warner Bros.; if an agreement is not reached, Mattel would regain full control of the IP, necessitating a complete re-development of the movie with a new filmmaker, cast, and creative concept. Warner Bros. co-chairs, Pam Abdy and Michael De Luca, confirmed the ongoing negotiations in a statement, stating, "We have a rights deal with Mattel in place and have made a series of big offers to try and finalize deals to make the next ‘Barbie’ film. Unfortunately, we have been unable to reach an agreement thus far."

Over the past three years, Warner Bros. has presented a half-dozen offers to the "Barbie" creative team. The talent's representatives, primarily CAA (representing Gerwig, Baumbach, Robbie, and Gosling), have declined the most recent offer, which is reportedly one of the largest the studio has ever made for a film, with no counter-offer presented to date. While this might appear to be a hardball tactic, renegotiating contracts when a sequel was not part of the original agreement is standard industry practice.

Margot Robbie, a producer and star of the blockbuster, reflected on the sequel discussion in a 2024 interview, noting, "I don’t think it was like that 20 years ago. This wasn’t designed to be a trilogy." Despite this, all parties involved expressed openness to future "pink-hued adventures" contingent on Gerwig and Baumbach developing another compelling idea. Robbie emphasized Gerwig's intense creative process, stating, "She finishes every movie on empty, feeling like she could never make another movie because she put everything she had into that one."

The current "Barbie 2" report coincidentally emerges as "Spider-Man: Brand New Day" breaks box office records, serving as a reminder of how difficult negotiations (like those between Sony and Marvel for Tom Holland's Spider-Man films) can ultimately lead to highly lucrative outcomes for all parties. Even if a deal for "Barbie" is struck by December, production on a sequel would still be some time away due to the cast and director's busy schedules. Robbie is filming an "Ocean’s 11" prequel, Gosling is set for Marvel’s "Ghost Rider" and Disney’s "Star Wars: Starfighter," and Gerwig will be promoting her upcoming Netflix film "Narnia" early next year.

Despite the current sequel stalemate, Warner Bros. maintains active partnerships. LuckyChap, Margot Robbie’s production company, continues to be a consistent producing partner, having delivered "Wuthering Heights" and currently working on the "Oceans" prequel and the film "Nasty" for Warner Bros.' Clockwork label. Similarly, Warner Bros. and Mattel continue their close collaboration, with a Hot Wheels project already in development.

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