The inaugural Entertainment Week Africa (EWA) 2025 convened in Lagos, Nigeria, establishing the city as a burgeoning global center for creative-economy innovation. This ambitious six-day, multi-venue festival spanned across key locations including Livespot Entertarium, Eko Hotel, EbonyLife Place, and Alliance Française, laying a robust foundation for pan-African creative mobility and fostering global cultural exchange. The event boasted impressive figures: 28,683 attendees from over 8 countries and 50 industries, featured 150+ speakers across 61 sessions, screened 93 films, hosted 20 music showcases and 9 fashion showcases. Furthermore, it included dedicated platforms for innovation with 9 tech startups in the Deal Room and 10 Hackathon companies, along with 8 Soundlab producers and songwriters, ultimately achieving over 5 million online engagements and an astonishing 800 million+ digital reach across Asia, Africa, North America, and Europe.

The central theme for EWA 2025, “Close the Gap,” served as both an urgent challenge and a strategic blueprint, designed to seamlessly unite talent, capital, policy, and various platforms within a singular, interconnected ecosystem. Tiwa Medubi, Managing Director of Livespot360, underscored this mission in her closing remarks, emphasizing the practical implementation of bringing these critical elements into the same room. She affirmed that the festival demonstrably showed how “the gap between potential and reality is closing, because people are doing the work.” Further highlighting the event's broader significance, British Deputy High Commissioner Jonny Baxter emphasized its diplomatic and economic importance, stating that by “Closing The Gap,” EWA was not merely building bridges but “creating highways for ideas, talent and investments to flow freely between Nigeria and the UK.”

EWA 2025 attracted a diverse participant base, with 28,683 pass-holders engaging across its conference, screen, music, and interdisciplinary creator programs. Beyond Nigeria, the top four countries represented were Ghana, Senegal, Kenya, and the UK, signifying its broad regional and international appeal. Attendees hailed from an impressive 51 different industries, with the highest representation from entertainment, creators, advertising, music, technology, media, marketing, filmmaking, business consulting, events, design, and public relations & communication services, showcasing the wide spectrum of creative and ancillary sectors engaged.

The festival's comprehensive programming included more than 35 panels, 22 workshops, and 20 masterclasses. These sessions delved into critical industry topics such as distribution pipelines, creative entrepreneurship, the impact of emerging technology, youth culture, and the facilitation of cross-border mobility. The Creators Hub, Creative Job Fair, Gen Z Republic, and the EWA Creative Marketplace provided dynamic spaces for creators and young professionals to network, learn, and collaborate.

Film was a prominent feature, with 93 screenings showcasing a rich array of works including “Chronicles of Afrobeat,” “The Herd,” “Dust to Dream,” and “Mama Nike & Magazine Dreams,” complemented by highly sought-after director sessions. A notable initiative was the 4-day intensive Story Lab workshop, designed for aspiring writers. Facilitated by industry experts like Lani Aisida, Nicole Asinugo, and Dami Elebe, and generously supported by Netflix, Amazon Prime, NdaniTV, and Africa Magic, this workshop saw 8 participants refine 6 polished loglines and pitch-ready story concepts from an initial shortlist of 15 contenders.

Music programming included 20 showcases. A particularly impactful moment was a landmark gender-equity conversation titled “The Price of Being Her.” This session featured esteemed female artists such as Qing Madi, Tiwa Savage, Waje, Yemi Alade, Teni, and Sasha P, who candidly addressed significant representation gaps, noting, for instance, that