In 2025, an adaptation of Michael Ende’s 1973 novel “Momo” appears exceptionally relevant, given the pervasive modern pressures where the hours in a day often feel insufficient. Writer-director Christian Ditter’s glossy rendition of this fantastical story centers on the preciousness of time, introducing an enigmatic red-haired girl named Momo, portrayed by Alexa Goodall. Momo resides within the amphitheater of an unnamed European city, reminiscent of Rome, and possesses a unique talent for listening. When individuals confide in her, they are magically compelled to speak truthfully, leaving their exchanges feeling relieved and acknowledged—a rare experience in today’s attention-starved era.

Momo’s intrinsic role as a listener quickly evolves, however, as she becomes the vehicle for uncovering the villainous schemes of the Grey corporation. Those affiliated with Grey are revealed to be “time thieves,” otherworldly entities sustained by pilfering hours from unsuspecting humans. Their cunning strategy involves persuading the populace to wear bracelets that meticulously monitor their time usage, distinguishing between “productive” activities and moments “wasted” on enjoyment. The promise is that all