This collection of film reviews spans a diverse range of genres, from a highly anticipated comedy remake to a critical documentary and a heartfelt animated call to action. Each film offers a distinct viewing experience, tackling themes of slapstick humor, animal welfare, and environmental protection.

Topping the list with a five-star rating is the 2025 remake of THE NAKED GUN, an 85-minute comedy certified 15. Liam Neeson, stepping into the shoes of Leslie Nielsen, stars as Lt Frank Drebin Jr., the accident-prone son of the original character. He teams up with Pamela Anderson, playing Beth Davenport, who guides the bumbling detective through a dastardly plot, leading to an onscreen romance. Critics have praised the surprising and impressive chemistry between Neeson and Anderson, both on and off screen. Neeson, known for his dramatic roles in films like Schindler’s List and the Taken series, delivers a masterclass in deadpan comedy, mirroring Nielsen's style by being funny precisely because he doesn't try to be. Producer Seth MacFarlane and director Akiva Schaffer are credited for not straying too far from the original's winning formula, packing the film with a mix of corny and edgier jokes, including a memorable "take a chair" gag and a scene that takes on an X-rated appearance through an infrared camera. The rapid-fire humor ensures consistent laughter, prompting hopes for a sequel.

In stark contrast, DOGSPIRACY, a 98-minute documentary with a 12A certification, earns two stars. This film, despite its title, is not about canine pirates but rather a "conspiracy" surrounding the cruel trade of puppy farms. British vet Dr Marc Abraham fronts the documentary, asserting that "dark forces" perpetuate the business, often keeping dogs in filthy and cramped conditions. However, the review points out a significant flaw: the film lacks sufficient undercover footage to effectively expose these practices. Instead, viewers are shown Marc watching such material on his laptop from an unrevealing angle. While some disturbing images from Eastern European farms are included, the primary focus shifts to the US, where Marc visits an unexpectedly spotless Amish puppy mill with heated floors. The documentary is ultimately criticized for not being a hard-hitting expose, leaving the reviewer feeling "sold a pup."

Rounding out the trio is SAVAGES, an 87-minute stop-motion animation rated PG, which garners three stars. Directed by Claude Barras, known for My Life As A Courgette, this film beautifully blends stop-motion artistry with an urgent environmental message. The story centers on Kéria, a spirited teenager living on the edge of the Borneo rainforest with her widowed father, who reluctantly works for a palm-oil plantation. Kéria's life changes when her young cousin Selaï, whose home was destroyed, moves in. Together with Oshi, an orphaned orangutan, they embark on an adventure that intertwines personal discovery with the pressing need for ecological awareness. While the plantation bosses are portrayed as broad-stroke villains, the film's honesty maintains its compelling narrative. The local community's use of harmless darts from blowpipes symbolizes their defiance against greed and intimidation. Savages is praised for its clever mix of charm, ecological advocacy, and cultural respect, making it a winning, albeit slightly conventional, addition to contemporary animation.