More than two decades after becoming a global box office phenomenon, "The Passion of the Christ" is finally moving forward with its long-anticipated follow-up. The project, which has been subject to years of rumors, delays, script changes, casting shifts, and teases from Mel Gibson about a story far stranger than expected, has now officially completed filming.

Videos released across social media confirm that the sequel, officially titled "The Resurrection of the Christ," has wrapped filming in Italy. This monumental project is set to be released in two parts, with "The Resurrection of the Christ: Part One" scheduled for March 26, 2027, and "The Resurrection of the Christ: Part Two" following on May 6, 2027. These dates are intentionally chosen, with Part One coinciding with Good Friday and Part Two landing on Ascension Day, 40 days later, carrying significant Biblical scholarship.

Mel Gibson has long teased that the story would delve into surreal and theological territory, moving beyond a simple retelling of events after the crucifixion. He described it as an "acid trip," suggesting an exploration of Hell, Sheol, the fall of angels, and the origin of Satan, promising a uniquely profound narrative. Mel Gibson directs, with Randall Wallace and Donal Gibson as writers, and Jim Caviezel credited as a producer.

Notably, the sequel features a major cast overhaul, with new actors taking on key roles. Jaakko Ohtonen, known from "The Last Kingdom" and "Vikings: Valhalla," portrays Jesus. Mariela Garriga, from "Mission: Impossible — Dead Reckoning," steps into the role of Mary Magdalene. Pier Luigi Pasino plays Peter, Kasia Smutniak is Mary, Riccardo Scamarcio takes on Pontius Pilate, and Rupert Everett appears as Abraham.

Alongside news of this significant cinematic development, Collider presents an exclusive Oscar Best Picture Quiz designed to help film enthusiasts discover their ideal Oscar-winning movie. The quiz invites participants to identify their "perfect movie" from a selection of five critically acclaimed Best Picture winners, each representing a distinct cinematic vision.

The featured films in the quiz include "Parasite," "Everything Everywhere All at Once," "Oppenheimer," "Birdman," and "No Country for Old Men." Each film offers a unique experience, from genre-twisting narratives to grand historical epics or formally daring productions.

The interactive quiz guides users through ten questions, probing preferences on various aspects of filmmaking. The initial questions cover desired film tone, central themes that resonate most, and preferred story structures, such as genre-twisting, maximalist, epic non-linear, single unbroken flow, or spare and precise storytelling.

Further questions explore the ideal antagonist (e.g., a system, the self, history, industry, or pure evil), desired film ending (shock, earned emotion, devastation, ambiguity, or bleakness), and the most captivating world setting. Participants also weigh in on impressive cinematic craft (production design, editing, score, cinematography, or silence), the type of protagonist they root for, preferred film pace, and the lasting emotional aftermath they seek upon leaving the cinema.

Based on the responses, the quiz identifies the perfect film. For those drawn to multi-layered, genre-shifting narratives about class and inequality, "Parasite" is suggested, praised for its dark humor, suspense, and shocking reveals. This film rewards close attention and challenges assumptions, culminating in a devastating final image.

If a maximalist approach, blending action-comedy, multiverse sci-fi, and family drama with a powerful emotional core, is preferred, "Everything Everywhere All at Once" is recommended. This film is designed to be overwhelming, reflecting the chaos and infinite possibilities of existence while refusing to choose between entertainment and meaning.

For those who appreciate cinema on a grand historical scale, exploring the terrifying gap between human capability and moral responsibility, "Oppenheimer" emerges as the match. Christopher Nolan’s film captures a consequential moment in human history with immense craft and gravity, offering an enormous, complicated experience without easy comforts.

"Birdman" is the choice for viewers fascinated by films that foreground their own construction and explore the fragility of ego and relevance. Shot to appear as a single continuous take, it is a formally daring examination of creativity and self-destruction through the lens of a fading actor, showcasing an unparalleled cinematic performance.

Finally, those who appreciate silence, refusal to explain, and dread as a form of meaning are matched with "No Country for Old Men." This Coen Brothers' film explores an implacable, arbitrary evil with formal control and restraint, offering a haunting and honest portrayal of a world where moral order is uncertain, leaving a cold, quiet dread that lingers.