Recent film releases showcase a diverse array of cinematic offerings, ranging from a star-studded comedy remake to a thought-provoking animated environmental tale and a documentary addressing controversial animal welfare issues. Critics have weighed in on these varied productions, highlighting both their strengths and areas for improvement, providing audiences with a broad spectrum of entertainment and critical discussion.

Leading the lineup is the highly anticipated remake of THE NAKED GUN, rated 15 and clocking in at 85 minutes, which has earned a five-star review. Liam Neeson, a revered Oscar-nominated actor best known for serious roles in films like Schindler’s List and the Taken series, delivers a surprisingly hilarious performance as Lt Frank Drebin Jr. This new iteration sees Neeson portraying the son of Leslie Nielsen’s original character, a bumbling Los Angeles detective who gets embroiled in a dastardly plot. Neeson's comedic prowess, stemming from his ability to play it straight amidst absurd situations, is likened to that of the late Leslie Nielsen. His ability to maintain a straight face, even while wearing a skirt revealing strawberry-pattern pants, is particularly noted as a highlight.

Adding to the film's appeal is the electric chemistry between Neeson and Pamela Anderson, who stars as Beth Davenport. Their off-screen rapport, observed at premieres and in interviews, translates effectively onto the screen, with Anderson described as "smouldering" alongside her co-star. Produced by Seth MacFarlane (Family Guy) and directed by Akiva Schaffer (Saturday Night Live), the remake successfully retains the winning formula of the 1988 original, proving not to be a pale imitation. It is packed with both classic corny jokes, like a literal interpretation of "take a chair," and edgier gags that contribute to its 15 certification, such as an innocent encounter appearing X-rated through an infrared camera. Despite some jokes not landing, the sheer volume and rapid-fire delivery ensure constant laughter, leading the critic to even hope for a sequel, a truly surprising outcome.

In stark contrast, the documentary DOGSPIRACY, rated 12A and running 98 minutes, receives a two-star review. Capitalizing on the trend of "-spiracy" titles, this film, fronted by British vet Dr Marc Abraham, aims to expose the "dark forces" keeping puppy farms in business and the cruel trade associated with them. The expectation was for extensive footage from undercover animal rights campaigners revealing terrible conditions. However, the film disappointingly lacks such impactful visual evidence, instead showing Dr Abraham watching unspecified material on his laptop in a cafe, from an angle that reveals nothing to the viewer. While some disturbing images from Eastern European farms are included, the film predominantly focuses on the US, featuring an unexpected visit to a spotless Amish puppy mill with heated floors, which ultimately undermines the intended exposé and leads the critic to feel "sold a pup."

Finally, SAVAGES, a PG-rated animation spanning 87 minutes, garners a three-star review. This heartfelt stop-motion animation from director Claude Barras, known for My Life As A Courgette, delivers an urgent call to protect the rainforest. Barras shifts from the orphanage setting of his debut to the endangered rainforests of Borneo, crafting a story that skillfully blends environmental urgency with personal discovery. The narrative centers on Kéria, a spirited teenager living on the edge of the forest with her widowed father, who is reluctantly employed by a palm-oil plantation.

Kéria's world changes when her young cousin Selaï moves in after his home is destroyed. Together with Oshi, an orphaned orangutan, they embark on an adventure. While the villains—swaggering plantation bosses—are depicted in broad strokes, the film maintains its compelling nature through its honesty. The locals' stand against greed and intimidation, armed with harmless blowpipes, symbolizes defiance. The film is praised for its clever blend of charm, ecological awareness, and cultural respect, making it a winning, albeit slightly conventional, addition to contemporary animation.