This collection of film reviews offers a diverse look at recent cinematic releases, spanning a high-stakes comedy remake, a documentary delving into controversial animal practices, and a poignant animated call to action for environmental protection. Each film, despite its varying genre and tone, prompts reflection on contemporary storytelling and its power to entertain, inform, and inspire.

First, "THE NAKED GUN" (15) receives a five-star rating for its uproarious comedic brilliance. Liam Neeson, stepping into the shoes of Lt Frank Drebin Jr., proves surprisingly adept at comedy, with the review noting his ability to maintain a straight face while delivering absurd humor, much like the late Leslie Nielsen from the original. Neeson, best known for serious action roles, shows remarkable range. He stars opposite Pamela Anderson's Beth Davenport, with their offscreen and onscreen chemistry highlighted as a major asset to the film. The plot follows Drebin Jr., an accident-prone Los Angeles detective, as he navigates a dastardly conspiracy, guided by Beth, leading to a romantic connection. Producers Seth MacFarlane and director Akiva Schaffer are praised for not creating a "pale imitation" but rather a faithful and hilarious reboot that retains the original's winning formula, complete with a mix of corny and edgier jokes that earned its 15 certification. The reviewer found themselves laughing consistently and even expressed hope for a sequel, a testament to its unexpected success.

In stark contrast, "DOGSPIRACY" (12A) garners a two-star rating, falling short of its ambitious premise. Positioned as a documentary in the vein of "Seaspiracy" and "Cowspiracy," it aims to expose the "dark forces" behind the cruel puppy farm trade. British vet Dr. Marc Abraham fronts the film, advocating for greater awareness of dogs kept in filthy, cramped conditions. However, the review points out a significant flaw: the documentary largely fails to deliver on its promise of revealing shocking undercover footage. Instead, viewers are shown Dr. Abraham watching such material on his laptop from an unrevealing angle. While disturbing images of Eastern European farms are mentioned, the film primarily focuses on the US, where an exploration of an Amish puppy mill surprisingly reveals spotless conditions with heated floors, undermining the intended exposé. The reviewer concludes that the film was a letdown, suggesting they were "sold a pup" due to its lack of hard-hitting evidence and its muddled presentation.

Finally, "SAVAGES" (PG) is awarded three stars, celebrating its stop-motion artistry and timely environmental message. Directed by Claude Barras, known for "My Life As A Courgette," this follow-up shifts from an orphanage setting to the endangered rainforests of Borneo. The story centers on Kéria, a spirited teenager living with her widowed father, who reluctantly works for a palm-oil plantation. Kéria's life is disrupted when her young cousin Selaï moves in after his home is destroyed. Together with Oshi, an orphaned orangutan, they embark on an adventure that masterfully blends urgent ecological themes with personal discovery. The film's antagonists, the swaggering plantation bosses, are depicted with broad strokes, yet the narrative's honesty maintains its compelling nature. The local community's defiance, armed only with harmless blowpipes, symbolizes a stand against corporate greed and intimidation. The review commends "Savages" for its clever fusion of charm, ecological awareness, and cultural respect, deeming it a winning, if somewhat conventional, contribution to contemporary animation.