Taylor Swift’s “The Life of a Showgirl” has reclaimed the No. 1 spot on the Billboard 200 albums chart for the week dated December 13, marking its eighth nonconsecutive week atop the prestigious list. The album saw a 12% increase in equivalent album units, collecting 99,000 units in the United States during the tracking week ending December 4. This surge was primarily driven by Black Friday promotions at retail outlets and the release of new signed CDs made available through the artist’s official webstore. Concurrently, the festive season ushered in a return of holiday music to the top 10, with albums by iconic artists such as Michael Bublé, Bing Crosby, and the Vince Guaraldi Trio making significant climbs.

The Billboard 200 chart comprehensively ranks the week's most popular albums in the U.S. based on a multi-metric consumption methodology, meticulously measured in equivalent album units. This data is rigorously compiled by Luminate. An equivalent album unit is a standardized metric comprising various forms of consumption: one album sale, or ten individual track sales from an album (Track Equivalent Albums – TEA), or 3,750 ad-supported on-demand official audio and video streams, or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album (Streaming Equivalent Albums – SEA). The full chart for December 13, 2025, is scheduled to be published on Billboard’s website on December 9.

Breaking down the performance of “The Life of a Showgirl,” its 99,000 equivalent album units in the latest tracking week were composed of 53,000 SEA units, reflecting a modest 18% decrease, yet still equating to a substantial 69.38 million on-demand official streams of its tracks, maintaining its position at No. 2 on the Top Streaming Albums chart. Album sales played a crucial role, skyrocketing by 121% to 46,000 units, propelling the album from No. 4 to No. 2 on the Top Album Sales chart. Track Equivalent Album (TEA) units contributed less than 1,000, experiencing a 76% decline.

Beyond Swift's reign, the latest Billboard 200 also saw other former No. 1 albums populate the Nos. 2-4 positions. Morgan Wallen’s “I’m the Problem” moved from No. 4 to No. 2, earning 71,000 equivalent album units (down 6%). The “KPop Demon Hunters” soundtrack advanced from No. 5 to No. 3 with 66,000 units (down 1%). Stray Kids’ “DO IT,” which was No. 1 last week, fell to No. 4 in its second week, garnering 64,000 units (down 78%). “The Wicked: For Good” soundtrack also experienced a drop in its second frame, moving from No. 2 to No. 5 with 63,000 units (down 49%).

The return of holiday classics was a notable theme. Michael Bublé’s perennial favorite, “Christmas,” re-entered the top 10, climbing impressively from No. 12 to No. 6. It amassed 58,000 equivalent album units, a significant 70% increase, predominantly fueled by streaming activity (48,000 SEA units, equivalent to 64.86 million on-demand official streams), which saw it jump from No. 11 to No. 3 on the Top Streaming Albums chart. Released in 2011, “Christmas” previously spent five weeks at No. 1 in late 2011 and early 2012, consistently returning to the top 10 every subsequent holiday season. The album features popular Holiday 100-charting tracks like “Have Yourself a Merry Little Christmas,” “Holly Jolly Christmas,” “I’ll Be Home for Christmas,” and “It’s Beginning to Look a Lot Like Christmas.”

Bing Crosby’s “Ultimate Christmas” also surged into the top 10, rising from No. 16 to No. 7 on the Billboard 200 with 52,000 equivalent album units, an impressive 78% increase. Nearly all of its sum was driven by streaming, with SEA units comprising 48,000 (equaling 63.55 million on-demand official streams of its tracks), propelling it from No. 14 to No. 4 on the Top Streaming Albums chart. This best-of collection, released in 2024, previously peaked at No. 3 on the January 4, 2025-dated chart, marking the late Crosby’s highest-charting album in 66 years since “Merry Christmas” ranked No. 2 in 1959. “Ultimate Christmas” includes classic Holiday 100-charting tunes such as “White Christmas” (featuring The Ken Darby Singers and John Scott Trotter and His Orchestra), “It’s Beginning to Look a Lot Like Christmas,” “Do You Hear What I Hear?”, and “Mele Kalikimaka” (with The Andrews Sisters).

The soundtrack to the beloved animated TV special “A Charlie Brown Christmas” by Vince Guaraldi Trio made a remarkable return to the top 10 for the first time in nearly three years, soaring from No. 18 to No. 9 with 46,000 equivalent album units, a 68% increase. Its last appearance in the top 10 was on the January 7, 2023-dated chart, at No. 10. Of its 46,000 units, 26,000 were SEA units (up 72%, equaling 33.81 million on-demand official streams, rising 43-13 on Top Streaming Albums), while album sales accounted for 20,000 units (up 64%), largely attributed to vinyl purchases, propelling it from No. 10 to No. 4 on Top Album Sales. This marks the album’s biggest sales week in three years, since it sold 23,000 copies on the December 31, 2022 chart. Released in 1965, the same year the Emmy Award-winning special premiered on CBS, the soundtrack did not enter any Billboard ranking until 1987, when it debuted on the Top Holiday Albums chart, eventually peaking at No. 2 in 2007. On the Billboard 200, it first reached the top 10 on January 2, 2021, and peaked at No. 6 on January 1, 2022. The “A Charlie Brown Christmas” TV special aired annually on CBS from 1965-2000, then on ABC from 2001-2019. In 2020, Apple TV acquired the rights, and makes the special available free for a limited time each year, with this year's window being December 13-14.

Rounding out the top 10, Olivia Dean’s “The Art of Loving” fell from No. 7 to No. 8, earning 48,000 equivalent album units (down 1%). Tate McRae’s former leader, “So Close To What,” dropped from No. 6 to No. 10 with 44,000 equivalent album units (down 31%).

The latest Billboard 200 tracking week covered the period immediately following Thanksgiving Day, from November 28 through December 4. With Christmas Day falling on a Thursday this year, there are three additional tracking weeks during the crucial Christmas season. Luminate, the independent data provider, rigorously reviews and authenticates all data submissions for Billboard charts, removing any suspicious or unverifiable data using established criteria before final chart calculations are published.