"Avatar: Fire and Ash," the epic third installment in the Avatar saga, has finally arrived, delivering even more action and drama as the war between humanity and the Na'vi continues on Pandora. Clocking in at an extensive 197 minutes, the film introduces a new faction of Na'vi, known as the Mangkwan, or the Ash People, while delving deeper into the lives of Jake Sully (Sam Worthington), Neytiri (Zoe Saldaña), and their family.

Since the original Avatar premiered in 2009, director James Cameron has been celebrated for revolutionizing filmmaking through his exploration of new worlds, innovative techniques, and groundbreaking technology. Cameron continues his streak of innovation in Fire and Ash, serving not only as director but also as writer, producer, and editor, alongside his dedicated team. An interview with Cameron revealed insights into his commitment to strong storytelling over cutting-edge technology, his hands-on approach with actors, and what material was left on the cutting room floor, hinting at a potential director’s cut. Additionally, as a vocal critic of generative AI, Cameron shared his perspectives on the technology’s role in the industry and offered guidance to aspiring filmmakers.

Cameron emphasizes that his approach to technology in Avatar films is driven by a desire to create a "dreamlike reality" that feels lucid, real, and distinct from other movies. He views technology as just one element in a "symphonic" effort that includes performance, design, music, and 3D, all working together to craft a unique experience. This comprehensive strategy aims to provide an immersive journey that motivates audiences to leave their homes and engage deeply with the film.

He believes that while previous films established a promise, "Fire and Ash" delivers on it by transporting viewers to new places – encompassing new cultures, creatures, and landscapes – but most importantly, to new emotional territories with the characters. Cameron expressed immense pride in the actors' performances, noting that despite the three-hour runtime, audiences feel the time flies by due to their investment in the characters, perceiving them as real people despite their 10-foot height and blue skin.

The film’s emotional depth, particularly its portrayal of grief and complex family dynamics, resonated strongly, with the struggle between father and son (Jake and Lo’ak) highlighted as a particularly impactful element. This focus on character and emotional realism contributed to the perceived swiftness of the three-hour experience.

Regarding a potential longer version of Avatar: Fire and Ash, Cameron revealed that a director’s cut is currently being considered. He explained his rigorous editing process, emphasizing that no scenes are considered "B-level" or less effortful. Instead, material is removed analytically if it doesn’t propel the story, set up important plot points, or resolve character arcs. He likened this to sculpting with stone, where material is carefully chiseled away to achieve the final form. While approximately 25 to 30 minutes of quality material was left out, it was done to maintain momentum, avoid repetition, and sharpen the narrative focus. Despite aiming for a three-hour film and exceeding it slightly by seven minutes, Cameron stated he has no regrets, as the primary goal was to create an epic saga centered around the family, ensuring every character thread reaches its intended peak.

Addressing the growing presence of generative AI, Cameron acknowledges its inevitability but stresses the importance of using it constructively, ethically, and morally. He staunchly opposes the idea of replacing actors, expressing his deep appreciation for their craft. While he understands that young filmmakers might consider AI to reduce costs for independent projects, he cautions that true creativity flows from unique, lived human experience. Actors, he argues, are individual and idiosyncratic, and their performances cannot be replicated by prompts or style-based generation. He suggests that while AI can assist with pre-visualization, editing, and story flow for beginners, his crucial advice to young filmmakers is to dedicate a year to studying acting.

Cameron believes that acting is the "wellspring of creativity," as it is authentic human performances – such as the "cri de coeur" from Zoe Saldaña, Sigourney Weaver, and others – that make characters real and their journeys compelling. He shared that he spent 18 months working directly with his cast to capture performances before even considering shot composition and lighting, highlighting his actor-centric approach to bringing characters to life.

"Avatar: Fire and Ash" is set to arrive in theaters on December 19.