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Vybz Kartel officially crowned "King of Dancehall" on stage at Reggae Sumfest in front of 25,000 fans

Published 1 day ago4 minute read

The long-awaited return of Adidja Palmer, famously known as Vybz Kartel, has sent shockwaves through the global music scene. After more than a decade behind bars, the self-proclaimed “Worl’ Boss” has been released, and he’s wasting no time reclaiming his throne. With a global tour in full swing and a historic performance at Reggae Sumfest 2025, Kartel has officially re-entered the spotlight—bigger, bolder, and more dominant than ever.

Vybz Kartel was released from prison on July 31, 2024, after his 2014 murder conviction was overturned by the UK Privy Council, citing juror misconduct. Following the decision, the Jamaican Court of Appeal ruled against a retrial, making way for his full release.

His freedom has reignited not just his personal journey, but the entire dancehall genre. Wasting no time, Kartel launched the highly anticipated “Worl’ Boss Tour” in May 2025, kicking off in Georgetown, Guyana, before making stops in Trinidad, major U.S. cities including Atlanta and Baltimore, and then jetting off to headline massive festivals across Europe. The tour continues through September with shows scheduled in Malta, Birmingham, and Manchester.

One of the most iconic moments of Vybz Kartel’s return was his explosive performance at Reggae Sumfest 2025 in Montego Bay. Making his first appearance on the Sumfest stage since 2011, Kartel’s return wasn’t just a performance—it was a coronation.

He arrived in Montego Bay on July 17, greeted by fans, press, and fellow artists in what can only be described as a hero’s welcome. On the night of July 18, Kartel emerged on stage in a theatrical entrance dressed in a prison-style uniform and handcuffs before transitioning into a regal wardrobe, symbolizing his transformation from inmate to king.

With a crowd of 25,000 in attendance, the energy was electric. He performed a powerful set that included his classics and new material, reminding everyone why he’s regarded as one of the greatest dancehall artists of all time. The night ended with Kartel being officially crowned “King of Dancehall” on stage—solidifying his place in music history.

Kartel’s return isn’t just about revisiting old glories. It’s about evolution. Since regaining his freedom, he’s already released a new single, “Pretty Girl,” along with a visually captivating music video that showcases a more refined and global version of the artist.

His latest album, Party With Me, which was released just prior to his freedom, has been nominated for a 2025 Grammy Award in the Best Reggae Album category. This marks a significant milestone not just for Kartel but for the genre as a whole.

Beyond music, Vybz Kartel is also reinvigorating his entrepreneurial ventures. From fashion to branded products and digital content, he continues to expand the Adidjahiem empire, showing that his influence stretches far beyond the stage.

Vybz Kartel’s return to the stage is not just a moment for fans; it’s a moment for Jamaica and dancehall culture at large. His presence at Reggae Sumfest 2025 drove record-breaking attendance and revitalized tourism in Montego Bay, with hotels, vendors, and local businesses all seeing significant boosts.

More importantly, Kartel’s return has reignited conversations about Jamaica’s music industry, justice system, and the global reach of dancehall. His story is one of controversy, resilience, and redemption—and it’s far from over.

Kartel’s tour continues through the end of the summer, with stops across Europe and the Caribbean. Rumors are swirling about major collaborations with international artists and possible headlining gigs to close out the year, including a New Year’s Eve show in Kingston.

With new music on the horizon, a world tour that keeps growing, and a renewed sense of purpose, Vybz Kartel is not just making a comeback—he’s launching a new chapter in the dancehall legacy.


Vybz Kartel’s return is nothing short of historic. From court battles to chart-topping records, he has once again proven that his influence transcends bars, borders, and expectations. The Worl’ Boss is back—and dancehall will never be the same.

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