“Let me ask you something,” composer Lalo Schifrin told me a few years ago during a long conversation that, sadly, would be our last. “When you write your articles, do you require a piano? I imagine you don’t, because you already have all the words that you need in your mind, which you then elaborate with your knowledge of grammar and syntax, right? It’s exactly the same for me. I don’t need a musical instrument in order to compose a piece. The notes are in my head.”

I had the privilege of interviewing Schifrin, who died Thursday at 93, multiple times during the past three decades. The most memorable meeting with the Emmy-nominated (Mission: Impossible theme) and Oscar-nominated composer (Sting II, The Amityville Horror) was a leisurely lunch at one of his favorite Beverly Hills restaurants when I was still in my early 20s and just getting started in journalism.

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