Powell leads the film as Gary Johnson, a psychology and philosophy professor at a university in New Orleans who, like the subject of Hollandsworth's article, works with the New Orleans police department by recording people looking for hitmen. When an undercover detective named Jasper (Austin Amelio) ends up the subject of an internal investigation and suspended, Gary has to step in and pretend to be a hitman willing to kill for pay in Jasper's stead, and to say the guy gets really into his new gig is an understatement. (Personally, my favorite of Gary's costumes is the one that closely resembles actor Tilda Swinton, which we only see in a montage.) Arjona's character, Madison, then tries to hire Gary, now masquerading as a smooth talker named Ron, to kill her horrible husband ... but instead, "Ron" and Madison end up involved, even though Madison thinks Ron is a contract killer and his name isn't Ron, it's Gary.
"Hit Man" is an unbelievable delight — really, it's one of my favorite films that came out in 2024 — and if you loved Arjona in "Andor," you definitely need to add this one to your watchlist. So, how did "Hit Man" fare with critics when it dropped on Netflix?