The Nigerian film industry, known globally as Nollywood, owes much of its vibrancy and growth to the pioneering efforts of its earliest stars. Among them are five remarkable women who remain shining beacons of talent, resilience, and cultural heritage. These actresses have dedicated decades of their lives to entertaining audiences and preserving the rich traditions of African storytelling.

Lanre Hassan, popularly known as Iya Awero, began her illustrious acting career as a teenager when she joined the drama group Young Stars Concert Party. The group, which included luminaries like Ojo Ladipo (Baba Mero) and Adebayo Salami (Oga Bello), later evolved into the Ojo Ladipo Theatre Group. Following Baba Mero’s death in 1978, the group was renamed Awada Kerikeri, with Adebayo Salami assuming leadership.
Iya Awero’s decades-long career spans stage, television, and film, where she has delivered unforgettable performances in productions like Owo Blow, Oluweri Magboojo, Dokita Alabere, Sade Blade and King of Boys. Her journey from the early days of Yoruba theatre to the forefront of Nollywood is a testament to her dedication and adaptability.

With a name that radiates warmth and positivity, Iya Rainbow has been a pillar of Nigerian entertainment for more than half a century. A trained nurse who transitioned into acting after the death of her husband, Idowu Phillips became a prominent figure in Yoruba cinema. Her performances, often imbued with humour and moral lessons, have made her a household name. Films like Aje Ni Iya Mi and Eran Iya Osogbo are just a few examples of her enduring legacy.

Taiwo Ajai-Lycett’s illustrious career spans acting, journalism, and activism. A quintessential professional, she began her acting journey in London before returning to Nigeria, where she starred in productions such as Ola Rotimi’s The Gods Are Not to Blame, Laolu Ogunniyi’s Wings Against My Souls, Tade Ogidan’s Hostages and Mnet’s long-running series Tinsel. She has also appeared in Oloibiri, King of Boys: The Return of the King, Elesin Oba, The King’s Horseman, Malaika and The Black Book. Her powerful voice and commanding stage presence have made her a respected figure in the arts. Ajai-Lycett’s contributions extend beyond entertainment; she remains an advocate for women’s rights and social justice.

Mama Ray, as Olajumoke Ray Eyiwumi is fondly called, is a legend in Yoruba theatre and cinema. Alongside her late husband, Eyiwumi Ray, she founded a theatre group that produced numerous plays and films, many of which were cultural staples in the 1970s and 1980s. Her dedication to preserving Yoruba culture through storytelling has earned her accolades and admiration.

At 93, Grace Oyin Adejobi is a testament to longevity and passion. She is widely regarded as the oldest actress in Nigeria. Best known for her role in the classic Eran Iya Osogbo, she has spent more than seven decades as an actress and storyteller. Iya Osogbo’s ability to embody complex characters with ease has made her a beloved figure in Nigerian entertainment. Even in retirement, she continues to mentor young actors, ensuring the legacy of traditional Nigerian theatre lives on.