Just 6, a South African vocal ensemble, has captivated audiences with their unique blend of jazz, gospel, and Afro-pop, all crafted using only their voices. Founded in 2011, the group's journey began in a church, driven by a desire to inject more excitement into the musical landscape. Initially named Boundless, the group expanded to include Nkosie Hospas and Fez, solidifying their identity as Just 6.

The group's signature sound, dubbed "Afro Vocal Play," is rooted in the global art of vocal play, an a cappella style that gained prominence in the 20th century. Vocal play involves emulating instruments and creating fully produced arrangements using only voices. Just 6 infuses this concept with African rhythms, sounds, and effects, reflecting their diverse musical tastes while staying true to their heritage. Their shared passion for a cappella serves as the foundation for their musical synergy.

Nkosie Hospas, the music director, emphasizes the importance of vocal precision in a cappella music. He describes their rehearsals as a blend of focused practice and informal bonding. While they may spend a significant portion of rehearsal time chatting and connecting, this camaraderie translates directly into their music. Their deep understanding of one another allows them to anticipate each other's musical cues and create seamless harmonies. However, when it's time to focus, they demand excellence from themselves and each other, enabling them to prepare complex sets in a remarkably short time.

Mtha highlights the group's approach to vocal music, emphasizing that they function as a band, meticulously rehearsing and refining their sound. They strive to push beyond traditional a cappella by treating their voices as instruments, experimenting with tones and textures to emulate various sounds. Their goal is to create instrumental music without relying on actual instruments.

Fez acknowledges that their unconventional approach sometimes leads to misunderstandings, particularly from sound engineers who may underestimate their technical requirements. However, once audiences experience their performance, they are invariably impressed by the richness and complexity of their sound. Just 6 has learned to embrace these challenges and use them as opportunities to showcase their unique artistry.

Currently, Just 6 is immersed in a project close to their hearts: a South African classics album. This album pays tribute to South African music legends such as Brenda Fassie, Hugh Masekela, and Miriam Makeba, whose iconic songs have shaped the group's musical identity. By reinterpreting these classics, Just 6 aims to introduce them to a new generation of listeners, ensuring that their legacy endures.

Smokes emphasizes the importance of honoring the musical giants who paved the way for them. Drawing inspiration from American music culture, where legacies are celebrated and passed down to younger generations, Just 6 seeks to do the same in South Africa. They carefully selected songs that they consider classics and that resonate with their own musical sensibilities.

Mtha articulates the group's desire to create exceptional music by reintroducing these legendary voices. He reflects on the impact of artists like Ladysmith Black Mambazo and the influence of church music on their vocal play. These experiences inspired them to explore the full potential of their voices.

Kwande attributes the group's harmony to their lack of ego and their ability to listen to and respect each other's ideas. They have cultivated a collaborative environment where everyone leads in their own way, fostering a strong sense of unity and purpose. This allows them to overcome disagreements and maintain focus on their shared goals.

Smokes likens their dynamic to that of a football team, with Nkosie serving as the coach, guiding them through performances and adapting to the audience's reactions. Their ability to adjust and respond quickly is a testament to their deep understanding of each other and their shared commitment to delivering an exceptional musical experience.