Movies entertain, challenge and bring joy to audiences all around the world. However, at the end of the day, the movie industry is a business. People make movies for a living, so there’s a need to turn a profit once the product is completed. However, movies shouldn't just be a means to make money. The stories they tell should be meaningful and offer audiences something they can take away from. Whether it’s a blockbuster sequel or an independent arthouse film, a movie needs to resonate and connect with the public.

More importantly, it needs to be able to justify its existence. Like any other successful industry, Hollywood can be very greedy and lazy, and love to invest in cheap cash grabs. There’s a huge appetite for nostalgia and what’s familiar, and it’s easy to fall into the trap of doing what’s safe. However, the worst cash grab movies have little to no substance, so much so that it becomes obvious they exist just to make a quick buck.

The films were some of the biggest comedies to come out of the 1980s, led by as Clark Griswold. Each film follows Clark as he tries to create the perfect vacation for his family, whether in Europe or at Christmas, but his plans always spectacularly fail and get them into chaotic situations. Some of the humor included in the films is slightly outdated, but they remain endlessly rewatchable, particularly thanks to the genius of Chase.

Nearly twenty years later, was released, a sequel following Clark’s adult son Rusty () as he takes his family on their own disastrous vacation. , with none of the humor translating well to this day in age. It features the same old, tired jokes we’ve seen before (but better), and adds absolutely nothing to the legacy of this franchise.

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is one of the biggest horror franchises of all time, and has had a number of hit-and-miss sequels since the original in 1978. Just when it seemed like the series was done, David Gordon Green released the pleasantly surprising Halloween in 2018, a direct sequel to the original that felt fresh while also paying homage to its roots. That film was the first in a trilogy, followed by in 2021, which, unfortunately, proved that the only thing that needed to be killed was the Halloween franchise.

After Michael Myers escapes (again), Laurie Strode () joins a vigilante mob that sets out to stop him once and for all. Instead of being delightfully thrilling, the film takes itself far too seriously, and essentially consists of people shouting “EVIL DIES TONIGHT!” for nearly two hours.

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The movies are universal family favorites, following the adventures of mammoth Manny (), sloth Sid () and sabertooth tiger Diego (). While the first movie remains the best of the bunch, its multiple sequels, such as and , are just as much fun to watch. Sure, maybe they’re not entirely necessary, but they offer fun new adventures and characters, like Manny’s love interest Ellie () and Sid’s Granny ().

The same can’t be said for Ice Age’s fifth installment, . While chasing after his beloved acorn in space, squirrel Scrat () sends an asteroid to Earth. . Worse than that, the vibrant humor is gone, and new characters are introduced who are totally forgettable. This blatant cash grab proves it is time for this series to go extinct.

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was one of the defining action movies of the 90s, with star turns from both and . In the film, a terrorist plants a bomb on a moving bus that will explode if it travels at less than fifty meters per hour. It’s an action-packed and adrenaline-fueled ride that became a global hit. Making a sequel to a successful film like Speed does make sense, but turned out to be a disaster for many reasons.

While Bullock returned, Reeves did not, and the film sorely feels his absence and their chemistry - but that’s not the main problem. The sequel sees a computer hacker break into the system of a cruise liner, setting it on a collision course into a large oil tanker. . Speed 2 proves that bigger isn’t always better, and that great films should only get sequels if they are somewhat as good as the original.

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’s is one of the most iconic and influential movies ever made, with its release marking the birth of the Hollywood blockbuster. Ever since then, viewers have been terrified of swimming at the beach. The success of that film spawned two very inferior sequels, and , where Spielberg’s absence is deeply felt. However, it is 1987’s that truly marks an all-time low for the series, and it is a wonder how it ever got greenlit in the first place.

In the film, Ellen Brody () is now a widow, and - get this, is convinced that a great white shark is seeking revenge on her family. So apparently, now, the shark is taking things personally and has motives. Lacking any tension or thrill, the film feels like it should be a parody, but supposedly isn’t. With a Rotten Tomatoes score of 2%, there is absolutely no reason for this joke of a movie to exist.

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When Disney released in 2007, it was a massive hit among audiences, thanks to its original storyline and deconstruction of fairytale tropes. When Princess Giselda () is banished from her magical kingdom (which is portrayed through animation), she is transported to New York City (which is portrayed through live-action). It made for a clever blend of worlds colliding and many heartfelt and hilarious moments. Fifteen years later, its sequel, , was released on Disney+.

It is very easy to see why Disenchanted skipped theaters and went straight to Disney+. It is missing all the smarts and wit that made the first film so refreshing, and leans into clichés without them being endearing or interesting. The story, which sees Giselle turn wicked, is much weaker, and the songs are so forgettable you won’t be able to name a single one. Enchanted was a wondrous and self-aware triumph that worked perfectly on its own, and this soulless sequel ruins that.

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One of ’s first major leading roles was in the satirical comedy , where he plays Derek Zoolander, a male model who heavily lacks any intelligence. The film offers a silly and exaggerated social commentary on the fashion industry and society’s obsession with image. It became such a hit that it made Zoolander’s "Blue Steel" pose iconic all around the world. Its long-awaited sequel, , became highly anticipated, but unfortunately ended up being one of the worst sequels of all time.

Derek and his model pal Hansel () are lured back into the modeling world when prominent celebrities are mysteriously assassinated. The film may have double the cameos that the original did, but that can’t save the fact that this is essentially a stale rehash of elements from the first movie. It doesn’t have a creative bone in its body, opting for cheap humor that falls flat. Derek and Hansel should have stayed in hiding.

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While the original definitely isn’t a cinematic masterpiece, it is still a much loved cult classic for those who grew up in the ‘90s. The film, which sees NBA superstar team up with the Looney Tunes, is a nostalgic capsule of the pop culture of its time period. Warner Bros. tried to create the same magic again in 2021 with , casting modern basketball star s to fill Jordan’s shoes. However, this sequel makes the original movie look like an Oscar-worthy piece of art.

Al G. Rhythm (), an evil A.I., kidnaps LeBron’s son Dom () and traps him in a virtual world. LeBron must team up with the Looney Tunes and win a game of basketball to save him. The inclusion of A.I. was obviously supposed to appeal to the next generation, but the film has no creativity or depth. It is basically a two-hour commercial for the studio and the extensive I.P. they own, from to . The Looney Tunes deserve better than being used to promote other franchises and make quick cash for the studio.

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Over the past ten years, Disney has gotten very comfortable adapting their animated classics into live-action movies. One could argue that all of them are cash grabs, but there are definitely some that make more sense than others, such as and . While even unnecessary adaptations like and are entertaining, one of the absolute worst of the lot is ’s version of from 2022.

Despite a great director at the helm, Pinocchio is a lifeless film that offers nothing new. Visually, the character designs are all the same as in the original, and the story is told in a way that is hollow and boring. It’s hard not to compare it to , which was released in the same year and had so much more artistic vision and uniqueness. That film proved that a story is worth retelling if it is told in a new way, but Disney’s version is just a carbon (and worse) copy).

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As previously mentioned, it is likely true that all the Disney live action remakes are not necessary, even if they are somewhat enjoyable to watch. However, if there is one that absolutely has no right to exist, it is 2019’s . The original film is arguably Disney’s best animated movie ever, and is a masterpiece that has remained timeless. From its epic story and humor, to its emotionality and phenomenal music, it is a perfect movie.

It should have been left alone, but, of course, Disney loves money too much. 2019’s The Lion King is a movie that practically has “cash grab” labeled across it. It is nearly a shot-for-shot remake, and while the visual effects are phenomenal, they take away all the individuality and emotion that the characters express. All the color and vibrancy of the original is absent, and the whole result is far less impactful as a result. This was clearly a movie made for one purpose, and it wasn't to create something meaningful.

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NEXT:Disney Live-Action Remakes, Ranked from Worst to Best